Digital Patmos
Index to Main Sources

Index to Main Sources

  • The 100 (2014): Power of Morality in the Face of Crisis by Choo Jun Heng, Alvin

  • 2012(2009) : Decision Making In The Face Of The Apocalypse by Darren Lim

  • Pluralized Sacrifice: Roland Emmerich’s unique take on the Apocalypse by Rohan Vaidya

  • Down the Rabbit Hole: The Strength of Ikigai in Transforming Characters in Alice in Borderland by Shermaine Lee

  • Power and Morality: How Power Instability Corrupts the Line of Morality in Altered Carbon by Matthew Elmer Ken

  • Apocalypse Now: Imperialism or Moral Sacrifice? by Mohamad Asyraf Mohamad Zaidi

  • Significance of Communication in Alien Encounters by Kong Dehao

  • Identities and Extremism: How Changing Landscapes and Realities Foster Radicalisation in Attack on Titan by Ellie Zhang

  • More to Autodale than Meets the Eye by Hazel Tan

  • An Examination of Artificial Intelligence’s Portrayal in Avengers: Age of Ultron by Rachel Boey

  • Determinism or Free Will: Time Travel in The Terminator (1984) and Back to the Future (1985) by Hussain Fathah

  • The Bicentennial Man: What’s In A Name? That Which We Call A Human… by Oliver Cheok

  • “If You Look, You Will Die. Do You Understand?” – Examining What it Means to Not See in Bird Box (2018) by Ashley How Kai Xin

  • Vocaloid Songs: Being Vocal about Disapproving Collectivistic Traditional Values by Chan Xue Hong

  • Brave New World and Elysium: What Justifies Our Fear of Technological Advancement? by Gan Ke Ching

  • A Look at the Success of Marvel’s Civil War in a Post-9/11 World by Arnold Teo

  • A Sense of Life, But: Inferior Machines and Superior Humans in Modern AI Apocalypse Fiction by Yong Chun San

  • The Chrysalids: Paradox in Modern Societies by Zhang Fengfang

  • Representations of Science and Technology in Viral Apocalypses by Natasha Tan

  • Significance of Communication in Alien Encounters by Kong Dehao

  • Dawn of the Planet of the Apes (2014): Sticking to their guns: Humanity in the Planet of Apes by Arvindh Ulagapan

  • The Apepocalypse by Goh Wei Shern

  • Seeing The ‘Pros’ In Propaganda: Sensationalism In The Day After Tomorrow by Rachel Teng Ying Xin

  • The Second Coming of Klaatu: Biblical Allusions in the Day the Earth Stood Still and its Remake by Samuel Lai

  • The Second Coming of Klaatu: Biblical Allusions in the Day the Earth Stood Still and its Remake by Samuel Lai

  • Violence by Adolescents against Establishments, an Eschatological Analysis of Donnie Darko and the Destructors by Elaine Koh

  • The Experience of Social Stigma Beyond Racism: A Critical Analysis of Detroit: Become Human by Sing Wei En Wayne

  • The Inconsistent Picture of Racism Painted by Deus Ex: Mankind Divided by Ting Xiao

  • Violence by Adolescents against Establishments, an Eschatological Analysis of Donnie Darko and the Destructors by Elaine Koh

  • Brave New World and Elysium: What Justifies Our Fear of Technological Advancement? by Gan Ke Ching

  • Exploring the Convergence between the Virtual and the Real in Ender’s Game by Guo Lilian

  • Pointing Fingers at the Grain: An Examination of Human Responsibility in “The Entire History of You” by Sharlene Lim

  • A Sense of Life, But: Inferior Machines and Superior Humans in Modern AI Apocalypse Fiction” by Yong Chun San

  • Centralization of Humanity in Geostorm by Ryan Tan Wei Young

  • Social Isolation and Jonas’ Rebellion in The Giver by Praveen Rahman

  • The Giver (1993): The Challenges of Creating an Ideal Society by Pooja Bhagwan
  • Knowledge and Deviance: How the Individuals’ Rationalization of Knowledge Prompts Different Responses in The Giver by Ashley Low

  • The “Collapse” of Society in The Handmaid’s Tale: The Threat of Chemical Apocalypse and the Oppressive Government by Jia Ying

  • Agency in The Village and The Handmaid’s Tale: Regressive Societies and Power by Ooi Wen Ting

  • Optimistic depictions of human-AI relationships in popular cinema: A comparative analysis of Her (2013) and Interstellar (2014) by Marcus Chew

  • Reimagining (Human) Nature in the Apocalypse: Negotiating Agency through Posthumanism in Mockingjay by Rachel Eng

  • Survival versus Morality of Youths in the Presence of a Protector in the Hunger Games and The Road by Peng Yun Ting

  • War Against Power in Mockingjay and War for the Planet of the Apes by Theodore Vito

  • Why I, Robot is a Persuasive Film for the Imagining of the A.I. Apocalypse by Amanda Tan

  • A Sense of Life, But: Inferior Machines and Superior Humans in Modern AI Apocalypse Fiction by Yong Chun San

  • War on Terror in I Am Legend and World War Z by Ayden Bae

  • I Am Legend (Book versus Movie): A Reflection of Society across Time by Bethany Leong

  • I Am Legend (Book versus Movie): A Reflection of Society across Time by Bethany Leong

  • The Apocalyptic Dimensions of War: The Centrality of Biblical Narrative Subversion in William Butler Yeats’ “The Second Coming” by Veronike-Nicole Ban

  • War against extraterrestrial invasion in Independence Day by Leong Jun Wen

  • Pluralized Sacrifice: Roland Emmerich’s unique take on the Apocalypse by Rohan Vaidya

  • Inferno: The Blurring of Lines between a Hero and a Villain by Loh Wei Ting

  • Optimistic depictions of human-AI relationships in popular cinema: A comparative analysis of Her (2013) and Interstellar (2014) by Marcus Chew

  • An Infinite Amount of Hope, but Not for Us: Posthumanism and Beautiful Post-apocalyptic Landscapes in The Last of Us by Mah Xiao Yu

  • A new world, new judgments: Exploration of morality in The Last of Us by Clara Lim

  • Beauty of Misery: Behind the Success of Apocalyptic-themed Games by Jesmine Woon

  • Moral Engagement and Time-Travel in Life is Strange by Claire Low

  • Fixing or Embracing Disability: The Establishment of the New Normalcy in the Discourse of the Crip Theory by He Ziqi

  • Mad Max: Fury Road (2015): Under the Facade of Non-essentialism: Humanity’s Deep-seated Gender Stereotypes by Liu Jian Lin

  • The Portrayal of Redemption in Mad Max: Fury Road and its predecessors by Nikita Gupta

  • Perspectives of Relationships between Hope & Freedom by Teo Jao Ming

  • The Reversal by Kelvin Neo

  • War between Man and Machine in The Matrix Trilogy and The Terminator by Mahnveer Kaur

  • The Allegory in The Maze Runner by Wong Zhi Min, Olivia

  • Beauty of Misery: Behind the Success of Apocalyptic-themed Games by Jesmine Woon

  • Mortal Engines: Is it the Ship or the Captain? by Valerie Tan

  • The East and West in Nausicaä: A Question of Environmental Ethics by Yu Jia Lin

  • Rehabilitation after Apocalypses: Miyazaki’s Meditations Nausicaä of the Valley of the Wind and Princess Mononoke by Georgia Yew

  • Neon Genesis Evangelion (1995): From Armageddon to Instrumentality, Japanese Anxiety Through The Hikikomori by Wong Zhi Wei

  • A World Without Sense: Emotional Responses to the Sensory Apocalypse in Perfect Sense (2011) by Tan Enn Syn, Shona

  • A Sense of Life, But: Inferior Machines and Superior Humans in Modern AI Apocalypse Fiction by Yong Chun San

  • Is Humanity Inherently Good?: An Analysis of Human Nature in the Planet of the Apes trilogy (2011 – 2017) by Bharathkumar Sriram

  • Rehabilitation after Apocalypses: Miyazaki’s Meditations Nausicaä of the Valley of the Wind and Princess Mononoke by Georgia Yew

  • A Shift In Focus In Psycho-Pass: ‘AI Gone Rogue’ To The Susceptibility Of The Exploitation Of AI By Humans by Sean Low Chen Yi

  • Survival of the “Fittest”: Examining the Blurred Dichotomy Between the Abled and Disabled in A Quiet Place (2018) by Yan Ng Xuan Min, Gail

  • Survival versus Morality of Youths in the Presence of a Protector in the Hunger Games and The Road by Peng Yun Ting

  • Reconciling Power Structures and Human Agency in the Apocalypse by Megan Huang

  • Feminism in Resident Evil by Zheng Jieru

  • The Apocalyptic Dimensions of War: The Centrality of Biblical Narrative Subversion in William Butler Yeats’ “The Second Coming” by Veronike-Nicole Ban

  • Vocaloid Songs: Being Vocal about Disapproving Collectivistic Traditional Values by Chan Xue Hong

  • The Ones who Walk Away from Snowpiercer by Ng Qian Qian

  • ‘Sacred Truths’ and Power in Snowpiercer (2020) and The Village (2004) by Eunice Tan En Hui Paa

  • Survival is insufficient: The value of human arts, culture, civilisation and society in Station Eleven by Lynette Heng

  • Self and Other in Sweet Home: Beauty in Korean Society by Pang Ji Xuan

  • The Japanese Perspective on Self-Preservation and Self-Sacrifice by Desiree Wee

  • Determinism or Free Will: Time Travel in The Terminator (1984) and Back to the Future (1985) by Hussain Fathah

  • War between Man and Machine in The Matrix Trilogy and The Terminator by Mahnveer Kaur

  • The Passive Protagonist: Assessing the Agency of Trains as Opposed to the Human Protagonist Within the Narrative of Train to Busan by Sum Hung Yee

  • Facing Danger: the Companion of Familiar Ones in Train to Busan by Zheng Shanshan

  • Mental Deterioration by Lee Shin Yi

  • Understanding Artificial Intelligence in Transformers: Age of Extinction by Rachel Thomas

  • The Human Ethics of Care: A Leverage Over Superhumans in Uglies by Scott Westerfeld by Allison Hoe

  • Undertale: the game that makes you choose to care by Amanda Lim

  • ‘Sacred Truths’ and Power in Snowpiercer (2020) and The Village (2004) by Eunice Tan En Hui Paa

  • Agency in The Village and The Handmaid’s Tale: Regressive Societies and Power by Ooi Wen Ting

  • Human and Nonhuman Agency in WALL-E: The Role of Posthumanism in the Resolution of the Post-apocalyptic Crisis by Chong Shin Ee

  • BNL: The Embodiment of our Worst Nightmares Regarding Capitalism by Doreen Khin

  • Convergence of Machine and Human: WALL-E’s Forewarning of The Future by Jane Ang

  • Wall-E: More than a Robot Animation by Benjamin Tan

  • War Against Power in Mockingjay and War for the Planet of the Apes by Theodore Vito

  • Categorization of Watchmen (2009) in the Apocalyptic and Neo-apocalyptic Narratives by Chen Runfeng

  • Enola and the Mariner: Why we can’t have one without the other in the film, Waterworld by Tanya Ang

  • The Jaded “Hero”: An Analysis of Sacrifice in “We Happy Few by Sabrina Ng

  • Humanity For AI: What’s the Westworld Verdict? by Shikhar Gupta

  • War on Terror in I Am Legend and World War Z by Ayden Bae

  • Traumatic Adolescences and Revolutionary Tendencies in Brian Singer’s X-men by Clarice Loke

  • Navigating Apocalyptic Landscapes – A Closer Look at Z for Zachariah by Kevin Tan